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Guest blogger: Satia Renee

(Introduction in order: Satia is my stepsister, my friend, and one of the first writers I ever knew in real life. When I was seven and she was...slightly older than seven, she was working on a fantasy novel, the plot of which she detailed to me as I sat rapt at her feet. Since then, she's proven to be a dedicated and prolific writer, with numerous poems, short stories, and even blog entries under her belt, but she still struggles with writing sometimes. I asked her to cook up a guest post for this blog on that very topic, and lo, here it is.)

Janice asked me write something for her blog about The One Thing With Which I Struggle in My Writing.

That's right. Unlike every other writer in the world, I only have One Thing and once I manage the Sisyphean task of resolving this issue it'll all be downhill from there! Yep. Envy me, all you other writers for I, Satia, have only One Thing With Which I Struggle in My Writing!

Last night my mind raced with possibilities. Where do I get my ideas? How do I choose whether I will write a poetic or prose piece? What do I most need to help me write? What resources can I not live without? What struggles do I have in common with most, if not all, other writers?

By the time I woke up I not only had a long list of things, rather than The One Thing, but I had made a discovery. I am The One Thing. It is uncanny how I am able to sabotage myself. I am quite effective at this because I never do it the same way twice. I am forever mixing it up. I can want validation and encouragement one day and the next not give a damn what anyone else thinks. I will write furiously one weekend only to spend the weekdays throwing away the crap I wrote and vowing to start planting trees instead of killing them. I can sit back and wait for the stars to align themselves just right so that inspiration will finally come or I can stare blankly at the computer monitor wondering if anyone has ever gone snow blind from writer's block. I will clean closets, over-think even the most provocative idea until I don't want to think about it let alone write it, or I will read every book and magazine article on writing, anything and
everything because my means of avoiding writing are as prolific as my writing is when I finally do what every writer knows to do — sit down and write!

However, because I carry The One Thing with me everywhere I go even the oft repeated advice to Sit Down and Write (as well as its sister truism that Writers Write) is not enough to make writing easy. Then again, nowhere in all those books on writing have I read that writing is easy. Fortunately for me, Janice suggested I write about The One Thing With Which I Struggle in My Writing; she did not ask me to explain how I have managed to overcome The One Thing otherwise this would never have been written. But I am open to suggestions on how writing can be made easier. That would be something I would happily read next time I am avoiding my writing.

(Addendum by Satia, and answer by Janice, in the comments section.)

Apr 02, 2008 at 04:55 PM in Writing/Writing About Writing | Permalink | Comments (8)

First victim!

Our pal Judy McGuire, a published author and a hell of a good writer, writes:

"The proposal for my second book (as well as several chapters) is done. I've been sitting on it, tweaking it off and on, for close to a year. I'm supposed to show my agent (again) because a publisher wants to see it. Except that while I liked it a lot last year, I now hate it. Re-reading it makes me want to pull out my hair and fall on the floor. This isn't false modesty, but I can't figure out whether it's as bad as I think it is or merely a good idea that needs a little bit of rewriting. It's as though I've lost my mind and all my sense has gone elsewhere. Is this normal? Even normalish? Ugh."

Dude! That’s an excellent question, and I’m glad you asked, not only because it allows other readers to see that published authors still struggle with issues of hating their own work. I think that losing objectivity and wondering if your project is crap or not is totally normal; in some cases, it's even healthy. If it stops you from ever writing or submitting anything, then it's unhealthy, but if it stops you from rushing forward with a proposal that you don't feel 100 percent great about, then it is a good instinct indeed. Because if you don't love a project, you should not be shopping it. Always wait until you’re fully convinced that the project is as strong as possible before putting it in front of editors.

Your ambivalence about your work might just be a stage you’re going through, one that I think most authors encounter in long projects (or even short ones – I’m hating this dumb 750 word piece I’m working on today). I hated both Girlbomb and Have You Found Her at certain points during the writing process, often at key moments, like after a draft was completed; then I found myself able to rally and find the good points of my projects, and to correct what I didn’t like about them. Then there have been other projects that I’ve abandoned, because I fell out of love with them and could not find any way to regain the enthusiasm necessary to complete them. I don’t consider those failures; I consider those good tries from which I learned a lot, even if the projects never came to fruition.

I think what you have to ask yourself now is, “Is it the project that I don’t like, or is it my writing that I’m having a hard time with?” If you’re just hating your own writing right now, no project is going to seem good or worthwhile, and it’s time to investigate why you feel that way. Have you taken too much criticism to heart lately? Because that can cause terrible ennui of the "fuck it, why bother" variety. Either way, if you are hating everything you write, it's an emotional reaction overriding your creative instinct, and it's worth discussing those emotions with someone you trust.

But if it’s more than generalized self-doubt that’s plaguing you right now, ask yourself this: Is it the subject matter you don’t like, or is it the voice? If it’s the subject matter, is there a new approach that you could take to the subject that would make it feel fresh and interesting to you, or do you just not want to write about it anymore? If you hate the subject, and can’t figure out a new way to treat it, then the project may have to be shelved indefinitely, until you get that flash of inspiration that tells you how to save it. But if it’s the voice, that’s another story – there’s hope for the project yet. Your voice may have changed in the year since you started this proposal, and trying to write in a voice that no longer feels natural to you will shut your shit down pronto. So if it’s the voice, you may need to (ugh) start over on the sample chapters (the voice of the proposal itself is probably fine). But again, it’s natural for your voice to change and develop as you keep writing; it’s healthy. Unless you want to write the same book over and over again, in which case, hi there, James Patterson!

One great thing you have going for you right now is an ally in your agent. If you’re honest with her about your ambivalence, and your inability to see the project objectively right now, you can ask her to read the thing as is and give you constructive feedback before going out to the marketplace with it. If you don’t feel comfortable sending it to her – or him, I don’t know why I assume it’s a her, probably because I’m a sexist – send it to a supportive friend who knows what the hell they’re talking about. If you’re really stumped as to what the problem is, they should be able to help you identify it.

Again, this is a normal reaction to working on a long project. Losing your objectivity and hating your own work at times is part of the deal. Because I know you and your work, and I think it’s really good, I’m going to go with my gut here and say that I bet this project can be saved, but only if you want to save it. If you find that you don’t want to save this project, then start looking for another idea, preferably while doing something else for money in the meantime. What’s most important is your ongoing creative health and longevity, not any individual project (or any individual AmEx bill).

I hope you’ll let me know how it goes. I’m rooting for you.

Apr 01, 2008 at 06:27 PM in Writing/Writing About Writing | Permalink | Comments (6)

Not Afraid to be Servicey

I taught another all-day class this weekend -- a good one, only six students, so we were able to spend a lot of time on everyone's individual exercises. I was still exhausted at the end, because I spent six hours on my feet, talking, but I felt good, like after a run. One guy -- young, twenty-five, with amazing material -- said he sometimes felt like his story had already been written, so why bother; I paced and railed for five minutes about how necessary his voice was. I think he was convinced. I know I was.

I'm not going to make fun of myself today. I'm not going to take myself down for being pedantic, a know-it-all and a ham, a salesperson of snake oil. The class is good; people feel better for having taken it. The end.

Okay, not the end. The beginning, rather, of a week-long feature here on the blog: Janice the Pedantic Know-It-All Answers Your Writing Questions. Are you struggling with writing? Having a creative issue -- block, maybe? Send me your comments and questions, and I will do my best to answer them. I will even pace and rail for you! You won't see it, because it will be in my apartment, but still.

I'll also be guest blogging at the Best American Poetry blog, starting tomorrow (promiscuous blogger!), and will have some special guest bloggers on this site as well. So stay tuned! Or whatever it is that one does at one's computer. Stay seated in front of your computer, until your eyes chafe and your fingers bleed! Yeah, that's it.

Mar 31, 2008 at 06:53 PM in Writing/Writing About Writing | Permalink | Comments (9)

'Cause it's a filler, filler post

You have to sing it to the tune of Michael Jackson's "Thriller." No, you have to. Because we are a household that fervently believes in song puns. I know, you're shocked. What I mean to say is, I'm all wrote out from working today; all talked out and read out, and I have another reading tomorrow night (Rapture Cafe, 200 Avenue A at 12th St., 8pm, free!), and I'm old and I need my sleep, and it's not that I don't want to write blog posts, it's that my wrists hurt and my throat is sore and I'm fried, deep fried, like a corn dog, like the corniest of dogs, and part of me can't wait until June, when all of the hoopla is over and I go back to shutting up and observing and taking notes on everything. Until then, I hope you'll bear with me, with all the pictures of readings and links to interviews and complaining about tireds -- it's all great, it really is, but there's a lot of it, and I think I'm going to bed now. Yeah. Totally going to bed.

Mar 24, 2008 at 11:09 PM in Writing/Writing About Writing | Permalink | Comments (7)

A blogger blogs, primarily about her book

So, as noted in the previous crankypants post, I don't really feel like writing about myself these days, wah wah wah. But I always feel like writing about my book! Or posting about it, anyway.

Here's an article I wrote for BookPage, about How I Wrote Her.

An interview with me on Conversations with Famous Writers.

And two great reviews from the Feminist Review and BunnyShop.

I promise I'll post something interesting and writer-y soon, or maybe just a long list of opinions about this season's crop of American Idols, including Amanda "I'd Like to Buy A Consonant" Overmeyer, David "Statutor-able" Archuleta, and Brooke "Certainly Is" White.*

(*Bill's joke, but I'm trying to take credit for it anyway. Plagiarizing memoirist!)

Mar 18, 2008 at 10:38 PM in Writing/Writing About Writing | Permalink | Comments (7)

CORKSOAKING DOUCHEBAGEL!!!

WHY is it that EVERY GODDAMN TIME I go to publish a memoir, some SCHMUCKING KUMQUAT has to be exposed as a total lying BASKET OF SHIT?

I'm sorry -- that was harsh. What I meant to say was, "How sad and yet understandable it is that this woman suffers from a pathological need to lie and manipulate people by MAKING UP A WHOLE FUCKING LIFE STORY THAT ISN'T TRUE, AND PUBLISHING IT AS A 'MEMOIR.' Mental and emotional illness sure is tragic for everyone."

And then I meant to smack her across her TRAGIC FACE eight or ten times in a row!

Mjones

Because, empathy and maturity aside, do you know how fucking bad this bitch is for business? Now I am going to have to answer 9000000000 MORE questions about, "So, are all memoirists full of shit, or what?" I was joking around about being called a memoirist the other day, but it's seriously not funny anymore, because these people are FUCKING KILLING ME.

This is NOT GOOD FOR THE JEWS.

Listen: you can write a perfectly great memoir without making shit up. Look at Joan Didion, The Year of Magical Thinking. Brilliant, bestseller. What's the plot? Her elderly husband dies, and she grieves for him. That's it! No AIDS-suffering mobsters with hearts of gold, no running from the Nazis to be raised by wolves. Because when you're a good writer, YOU DON'T FUCKING NEED THAT SHIT TO WRITE A GOOD BOOK.

AUGH.

Mar 04, 2008 at 06:01 PM in Writing/Writing About Writing | Permalink | Comments (20)

"So, tell us about your book"

I've been doing a lot of interviews lately, which is a nice thing to be able to say. Some interviewers are wonderful -- you can tell they've actually read the book, and they ask really insightful questions about it. Then there are the other ones, the ones that start off with, "So, tell us about your book." Because they don't have a fucking clue what it's about. It could be recipes, for all they know; they have six guests per hour on their radio show, and you're on after Kevin Bacon's brother. (They're in a band, you know.)

Here are some questions I have recently been asked:

"So, why did you write this book?"

Uh...so that people would read it? Why does anybody write any book? Because it was easier than calling people on the phone individually and telling them the story over and over again? Because I was really bored? I'm confused. What would a good answer to this question be? Because I hate trees? To get money? I'll go with that last one -- I wrote this book to get money.

"When you were homeless, were you cold?"

Yes, except that I lived in a shelter. But it was winter when I was there, so yeah -- every time I stepped outside, I was cold. And then I stepped back inside, and I was warm. I was also hungry when I was homeless, and then I ate some food. One time, I got tired. I'll let you guess how that turned out.

"Are you and Bill going to have children?"

Oh my god. Are you serious? Do you actually get to ask me that? Isn't that like asking me what kind of sex I like, or how much I weigh? (Answers: Enough, and enough.) No, we're not going to have any children. But we're going to have a bunch of abortions!

Obviously, I'm grateful for any kind of attention for the book; so grateful that I have answered all of these questions, and more, with a straight face, without going all Al Jaffee on anybody. Because I know that many interviewers have limited time to research their guests, and that being on their shows is a gift in itself; I also know that, as a memoirist, everything about me is supposed to be fair game. So I'll be delighted to "tell you about [my] book," or even the contents of my uterus. Especially if it will get me one degree closer to Kevin Bacon.

Mar 04, 2008 at 12:15 AM in Writing/Writing About Writing | Permalink | Comments (10)

Stop me if you've heard this one...

Look, it's me! Talking about writing! Can you imagine?

Yes, it's yet more writing advice, as well as a tour of some of the real-life settings from Have You Found Her Yet Or Is The Goddamn Bitch Still Missing, straight from the chinny-chin-chins of one Juhneece Erlbaum, over on Jason Boog's The Publishing Spot (remember: writing stuff down is a good thing for writers to do!).

Also -- bonus! -- here's me on Leslie Pietrzyk's blog, Work-in-Progress, talking about being labelled a "memoirist." Which feels unnecessarily fancy, like when bartenders call themselves "mixologists." It's like, you pour drinks! I write! It's pretty straightforward. There's really no need for the nomenclature.

But since I am a memWHAist, whether I like it or not, I get to be interviewed for USA Today! Though by now this is all very USA Two Days Ago. They even included me in the companion piece, a round-up of "I had it harder than you" books. Which...I'm not competing with the Darfur refugee. Dude, you win.

Mar 01, 2008 at 10:38 AM in Writing/Writing About Writing | Permalink | Comments (9)

Me and Ranier Maria

Here's me on ThePublishingSpot.com, jabbering as usual about writey write writer writing, blah blah pontificakes, this time about keeping a journal (I'm taking the very controversial "you might probably want to" position). I'm interviewed on the Publishing Spot every day this week, with a video tour of some of the sites in the new book to be posted on Thursday or Friday. I urge you to watch it, though I probably won't be able to, because -- is that my voice? Is it really that deep? -- I have a funny voice.

In the meantime, I had one final thought about that last post, which was that I could have erased it and replaced it with:

Something is better than nothing. Something is better than nothing. Something is better than nothing. Something is better than nothing. Something is better than nothing. Something is better than nothing. Something is better than nothing. Something is better than nothing.

Feb 25, 2008 at 06:54 PM in Writing/Writing About Writing | Permalink | Comments (4)

Blockheaded

The other day, I claimed to be suffering from “block,” which is a word I usually try to avoid. I prefer to call myself “stumped,” or “stymied” – I don’t know why, since all those words pretty much mean the same thing, which is that you’re sitting in front of the goddamn blank page and you can’t seem to make any words come out and stick to it. But I feel like people over-rely on the idea of “writer’s block,” like it’s this outside force that’s attacked you, like it’s a disease that you can’t do anything about, so you just shrug and say, “I’m blocked,” and that’s it. And I don’t want to give it legitimacy as a phenomenon; I don’t want to give it any more power than it already has. I don’t want people to be able to point to it – “Oh, it’s block, every writer gets it sometimes, you can’t control it” – and use it as an excuse for not writing.

Because there is no excuse for not writing, except that you don’t want to write.

So what is this thing that people call “block”? Block is an overwhelming emotional state that occurs when you are trying to write that prevents you from doing so in the moment. That’s it. It’s just a feeling. It’s not a state of being, it’s not a condition. It’s a temporary feeling that gets in the way of you expressing your creativity. A temporary feeling – unless you feed into it by claiming it, cherishing it, telling everyone about it, giving it credence in your mind. Then it can become a permanent part of your life.

Often, the emotion that’s temporarily preventing you from feeling like you can write is fear. I think this is what I was dealing with the other night. There were many things on my mind, but I didn’t think I could write about any of them, because I feared the consequences. Some subjects were too personal, some were professionally inadvisable, so none came out. Which is fine – sometimes fear, like anger, can be a helpful guide. Sometimes it inhibits you, but often, it helps to steer you away from dangerous situations. So rather than saying, “I’m blocked,” it is more helpful to say to yourself, “I am afraid to write about what’s really on my mind.” This is when you go get out your notebook, the one you keep only for yourself that nobody else ever gets to read, and you write down the feeling of fear. I’m afraid so-and-so would be hurt if they read it; I’m afraid of talking about her death because I will lose my shit with grief. Just a few sentences to answer the question: What are you afraid of writing about, and why?

And that’s it. You’re done. Unless you feel like writing more about it, in which case, go right ahead. But you don’t have to. You’re not obliged to write about anything you don’t want to. You just have to be honest with yourself about what’s stopping you and why, so you can move on to something else.

Fear of writing can take so many forms. There’s the fear of being personally exposed (“I can’t write this because then people will know this about me”), the fear of not being good enough (“This first sentence sucks, so all the rest of them are going to suck, and I am a sucky writer, so I should just give up”), the fear of disappointment (“Who cares what I write; it’ll never find an audience anyway”), the fear of revisiting painful situations (“I don’t even want to think about it, much less write about it”). Then there’s fear masquerading as other things, like boredom (“I don’t have anything interesting to write about”), or resentment (“All successful writers are sell-outs and hacks”). It’s all fear.

Some of these fears are more valid than others. If you really feel you can’t risk personal exposure, then don’t write publicly for now – write for yourself, and worry about who to share it with later. If you fear not being good enough, join the fucking club. None of us are good enough, but we do it anyway. Because the worst writer is the one who never writes at all, and you’re never going to get better without practice. So stop judging yourself and start writing, and don’t reread a word of it until you’re got fifty pages finished. If you fear disappointment, then recognize your ambition – “I want to be published, damn it,” or, “I want to win the Oscar for Best Original Screenplay” – then recognize that your worst fear is already realized, because you’re not getting published or winning an Oscar right now, and you’ve got no shot at it until you write something. Use your ambition to work for you, not against you. And recognize that you will often be disappointed in the writing life, but never while you’re sitting at your desk working.

The fear of revisiting painful situations is valid. It’s going to be painful. Do it anyway. You’ll feel so much better when you’re on the other side of it. Things that caused me serious anguish are no longer as painful for me, now that I’ve written about them. The pain leaves your body and sticks to the page; you are rubber, the page is glue. Boredom is not valid. If you can’t think of an interesting subject, then something else is going on that you’re not acknowledging – anger, or fear of the real subject matter you’re avoiding. I always have people in my memoir seminars who say, “My life was boring,” and then they tell me some story about their mom dropping dead in the supermarket that makes my hair curl. Birth, death, illness, love, betrayal – subjects everyone has written about before – they’re all interesting. They’re all we have in life. As for resentment, get over it. It’s just anger, and fear of failure. Yeah, it sucks that Posh Spice can get a bazillion dollar book deal in ten minutes, while you might slave away for ten years on your novel. But at the end of those ten years, you will have written, you will be a writer, while Posh Spice will still just be tits on a stick.

Look, I know it’s not all that simple. If you’ve been reading for a while, you’ve seen me struggle with “block” again and again. I’ve written about the fear, the ennui, the thwarted ambition – I’m not saying it doesn’t happen. I’m not saying it’s not debilitating. What I am saying is that you’re not alone in it, and it’s not hopeless. Block is fear, and fear is real, but it’s not a mystery. It’s not a voodoo curse that someone laid on you that you’re powerless to resist. It is temporary, and it is navigable. The first step is calling it by its real name: Fear. The second step is identifying what the fear’s about. The third step is confronting it in a safe way that doesn’t make it worse for you. And then you’ve taken three steps, and you’re walking.

Feb 21, 2008 at 03:58 PM in Writing/Writing About Writing | Permalink | Comments (17)

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Watch the trailer:


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Available now!

Girlbomb

Other Writings

  • Girl Meets Toy (from Nerve.com)
  • Magic Nail (from TabletMag.com)
  • Shelter for Christmas (from TabletMag.com)
  • The Creepist (from Nerve.com)
  • The Green Kusine (from TabletMag.com)
  • Twins (on RandomHouse.com)
  • Volunteer Envy (an Amazon short)
  • What Moments Divine (from TabletMag.com)